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Show Me The Money

By Rebecca Victoria Ramirez

As writers we have certain goals in common like getting published and being acknowledged. Getting a little cash in the process doesn’t hurt either. Many online magazines pay writers for pieces published, but some of these also charge nonrefundable submission fees.

What other options are there you ask. How about writing contests?

True a lot of contests also charge submission fees, but the prize amounts are substantial, significantly larger than what online magazines and journals pay.

Below I have provided information to some upcoming contests.

Now get writing and good luck!

Contest Website Fee Prize Deadline
Masters Review Emerging Writers Contest http://www.writermag.com/contests/masters-review-emerging-writers-contest/

 

$20 $5,000 3/31/15
Minnesota Emerging Writer’s Grant https://www.loft.org/programs__awards/grants__awards/mn_emerging_writers_grant/

 

$0 $10,000 grant 4/03/15
10th WriterAdvice Flash Prose Contest https://writeradvice.submittable.com/submit

 

$15 per submission (Three max.) $200 1st place

$100 2nd place

$50 3rd place

4/21/15
PEN Canada New Voices Award http://www.pen-international.org/pen-internationalnew-voices-award/

 

$0 $1,000 5/22/15

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Rebecca Victoria Ramirez resides in Northern California with her partner, children, and an assortment of pets. She earned her BA in English May 2013 and will earn her MFA in Creative Writing January 2016.

Erin Stoodley: HSWC Profiles

This week we are presenting Erin Stoodley, the local’s prize winner in fiction for her story “Ghost.” Here is her response to our interview.

When I was younger, I wrote because I needed to write. Writing served as a means to better understand humans and our complexities.

My mother exposed me to the literary realm at an early age. When I was a child, she read to me from her favorite Victorian novels. Many afternoons, we would pick through the books at the local library. My mother introduced me to a world that, as Faulkner wrote, recognized the prevailing of the human spirit. Today, I write to be a part of that world.

In addition to desiring to study the human experience, I also want to produce work that resonates with an audience. We have all experienced loss, but we may feel emotionally detached from the world until we read of someone else’s pain. For example, after finishing such books as The Idiot by Fyodor Dostoevsky and Diving into the Wreck by Adrienne Rich, I was able to place my suffering into context and realize that my experiences only reinforced my humanity.

Receiving such validation as I have in the Sierra Nevada Review High School Writing Contest has greatly motivated me in pursuing a writing career. I am very grateful to have had the opportunity to participate in the contest.

*

Erin Stoodley is a student residing in Ventura, California. She has received recognition from such organizations as the Scholastic Art and Writing Awards, the Johns Hopkins Center for Talented Youth, and the National YoungArts Foundation. Her poetry is published or is forthcoming in The Adroit JournalBelleville Park Pages, and Euphony Journal, among others.

Isabella Stenvall: HSWC Profiles

We asked this year’s High School Writing Contest winners to tell us more about their writing process. Here is Isabella Stenvall’s response.

Inline image 3Writing has been my source of expression since I was quite young. I devoured as many books as I could obtain and created a love for words and patterns that communicated my ideas. I have always been quite creative, thriving in my own imagination. Writing allowed me to take my introspective world and share it with those around me.

I can be inspired to write by practically anything. More frequently I take strong emotions or influential experiences and turn them into narratives that help me understand what has taken place. Other times I write to capture a memory or time, in fact every day for the past three years I have been recording every day of my life for future recollection. This includes small conversations, defining moments, immature comments, silly jokes. Writing stories protects some of the brightest and darkest days of my life.

Knowing that I won an award for “Wars with Numbers” brings me immense joy. The piece describes my painful battle with anorexia and first steps to recovery. It is incredible that my work was read and recognized, especially a narrative that was somewhat difficult to allow myself to send in.

After high school I hope to travel from my small California town to a university in an East Coast big city. My dream is to be accepted to Columbia University, located in my favorite city in the world providing me an opportunity to continue my life-long passion for dancing and receive an exceptional Ivy League education. I want to explore courses in international peace relations and possibly travel the world working as a diplomat.

 *

Isabella Stenvall is a seventeen year old contemporary dancer from California who fosters an intense love for ocean-swimming, alt-j, and chocolate-covered strawberries. She won the local’s prize for her non-fiction piece on anorexia, Wars With Numbers.

Fifth Annual High School Writing Contest Winners Selected

Contact: June Saraceno
jsaraceno [at] sierranevada [dot] edu

FOR IMMEDIATE RELEASE

(Incline Village, Nevada) Sierra Nevada College’s English Program has announced the winners of the 5th annual High School Writing Contest, a national competition which honors high school juniors and seniors in three categories: creative nonfiction, fiction and poetry.

The winners receive a cash prize, an invitation to the awards ceremony on Jan. 9, a scholarship offer from Sierra Nevada College, a private, non-profit four-year university in Incline Village, Nevada, and possible publication in the Sierra Nevada Review.

Bryce Bullins, managing editor for the Sierra Nevada Review said, “Selecting just a few winners from such a large pool was an especially difficult process considering the caliber of work these young writers submitted.”

Creative writing professors and Sierra Nevada Review staff evaluated a record number of submissions. Chosen from over 525 entries, the winning submissions came from students across the United States, including Maryland, Colorado, Florida, Arizona, and New Jersey.

“I am inspired and energized after reading these diverse and passionate stories. The future of the written word is clearly in good hands,” said Gayle Brandeis, the college’s Distinguished Writer in Residence and an award-winning novelist.

In creative nonfiction, first place went to Lindsay Emi, Westlake Village, California, for “Latin Class in Seven (VII) Parts.” Second place went to Darla Macel Anne Canales, Erie, Colorado, for “Oven.” Third place went to Gabriel Braunstein, Arlington, Massachusetts, for “Family on the Commuter Rail.” The nonfiction Local’s Prize went to Isabella Stenvall, San Luis Obispo, California, for “Wars with Numbers.”

Finalists in creative nonfiction were Emily Zhang, for “Family History,” Oriana Tang for “Sister,” Aletheia Wang for “Scar,” Jack Priessman for “A Merciless Deed,” and Annie Harmon for “Reflected.”

In fiction, first place went to Emily Zhang, Boyds, Maryland, for “Midwestern Myth.” Second place went to Lucy Silbaugh, Wyncote, Pennsylvania, for “Burrowing.” Third place went to Laura Ingram, Disputanta, Virginia, for “Absolute Value.” The fiction Local’s Prize went to Erin Stoodley, Ventura, California, for “Ghosts.”

Finalists in fiction were Lindsay Emi for “For My Daughter,” Jessica Li for “Ellen and Su-Ji,” Tatiana Saleh for “Laundry,” Madison Hoffman for “Genderfuck,” and Oriana Tang for “Lara.”

In poetry, first place went to Oriana Tang, Livingston, New Jersey, for “Bildungsroman.” Second place went to Catherine Valdez, Miami, Florida, for “Mami.” Third place went to Ruohan Miao, Chandler, Arizona, for “Dust Bowl.” The poetry Local’s Prize went to Ava Goga, Reno, Nevada, for “Notes on Repression.”

Finalists in poetry were Emily Zhang for “Transitory,” Katia Kozachok for “Primordial Roar,” Allie Spensley for “Palo Verde,” Emma Symmonds for “Purging,” and Jessica Prescott for “Daughter of Zeus, Lover of Mine.”

Winners in each category received $500 for first place, $250 for second and $100 for third. The Local’s Prize honored student writers from Nevada and California with a $100 prize. These students are also eligible for a $20,000 scholarship to attend Sierra Nevada College.

The winning students have been invited to read their work in an awards ceremony on Friday, Jan. 9, 2015 at Sierra Nevada College alongside highly acclaimed writers Suzanne Roberts and Alan Heathcock. They will be reading at 7 p.m. Friday in Sierra Nevada College’s Prim Library as part of the college’s low residency MFA creative writing program.

The Sierra Nevada Review’s annual issue publishes poetry, fiction, and nonfiction by emerging and nationally recognized authors. All High School Writing Contest winners will be considered for publication in the 2015 issue, which releases in May.

The 6th annual High School Writing Contest runs Sept. 1-Nov. 1, 2015. Guidelines can be found at http://www.sierranevada.edu/writer

Black Rock Press Visit

by Tom Loeschner

 

On Wednesday morning Sierra Nevada Review staff members paid a visit to the local press, Black Rock Press, at University of Nevada Reno. Staff members Amy and Inge run the Press and teach bookmaking to students at UNR.

black rock press

 

Machines dot the concrete floor of the lower room in the Jot Travis Building. The press shop is a wonderful world of flywheels, oscillating ink rollers, and 100,000’s of metal and wood types. Some of the printing presses date back to the last century while others are newer.

Various hand crafted books made in house are on display.Holding a handcrafted book by Black Rock Press gives the same experience as seeing a new painting or feeling a handmade ceramic bowl, you can see and feel the work that went into it.

black rock press 2

The vibrancy of the ink, the layout of the fonts, unique bindings and the texture of quality paper gives their books a truly artisan feel.

Black Rock Press 3

__________________

Tom Loeschner Loeschneris an aspiring writer and student at Sierra Nevada College. While Tom is an Incline Village, Nevada native, he has lived in both Washington and California. Tom enjoys writing creative non-fiction, climbing, fly fishing, and spending time with his wife, Andrea, and their dog, Munchichi.

Announcing the 2014-2015 Sierra Nevada Review Editors

Welcome to our new student editors:

Rebecca Victoria Ramirez Ramirezholds a BA in English, graduating Cum Laude, from California State University, Stanislaus. She is currently pursing her MFA in Creative Writing at Sierra Nevada College. She is a writer of both poetry and non-fiction, with poetry from her youth being published in her city’s anthologies. She resides with her four children and partner in Northern California.

 

 

 

Bryce Bullins Bryce2is a first year graduate student focusing on poetry but has worked previously on the Sierra Nevada Review as an undergraduate student. He received his BA in English with a minor in Music from Sierra Nevada College in 2014. Bryce currently lives in Pahrump, NV. 

 

 

 

 

 

Greg Gonzalez Gonzalezis a Junior attending Sierra Nevada College as a Creative Writing major. He currently resides in Incline Village Nevada, but he is originally from Sacramento California. His focus is in fictional writing and has completed two novel manuscripts. One day he envisions himself not only writing books, but he wants to own two restaurants as well.

 

 

 

Tom Loeschner Loeschneris an aspiring writer and student at Sierra Nevada College. While Tom is an Incline Village, Nevada native, he has lived in both Washington and California. Tom enjoys writing creative non-fiction, climbing, fly fishing, and spending time with his wife, Andrea, and their dog, Munchichi.

 

 

 

 

Meredith Crosby Crosbyresides on the north shore of Lake Tahoe in California but calls South Carolina home. She is currently a senior at Sierra Nevada College in Incline Village, Nevada. She will graduate with a Bachelors in English and a minor in creative writing. An avid hiker and nature enthusiast, Meredith can be found most days wandering with her pitbull rescue mix, Prudence, in Tahoe’s pristine wilderness. She also has a contemporary dance background and is an aspiring yogi.

 

Courtney Berti Courtney Bertigraduated from Sierra Nevada College with her BFA in Creative Writing. She is currently pursuing an MFA in Creative Writing with an emphasis in fiction. She lives in South Lake Tahoe with her hairy boyfriend and her fuzzy dog who both have a tendency to resent her very hairless laptop.

 

2013 High School Writing Contest Winners Announced

After much deliberation by the Sierra Nevada Review faculty, undergraduate editors, and graduate editors, Sierra Nevada College is very happy to announce the winners of the fourth annual creative writing contest for high school students.

Over 325 students submitted work, most with entries in more than one category and submissions came from across the country. The readers were all impressed by the quality of writing from the finalists, and it was a difficult decision in each category.

The winners will be hosted for an awards ceremony on Friday, January 10 to congratulate and acquaint them with SNC. All students who submitted entries are invited to the Awards Ceremony. Winners will also receive a cash prize and be offered a scholarship to SNC.

 

WINNERS AND FINALISTS FOR THE
 2013 HIGH SCHOOL WRITING CONTEST

 

Poetry

 

First place = How to Mix Native Blood with Foreign Water: A Lab by Dalia Ahmed

Second place = Dream in Which the Moon is replaced by my grandfather’s lymphoma tumor by Talin Tahajian

Third place = Concavity of Checkmate by Hanel Baveja

 

Local’s winner = Mitosis by Stephanie Hsu, Fremont, CA

 

Fiction

 

First place = Kindergarten by Alexa Derman

Second place = The 29 by Catrina Sun Tan

Third place = Moon Country by Nick Burns

 

Local winner = The Countdown by Sara Lagen (Monterey CA area)

 

Nonfiction

 

First place = A Reality on a Friday Night by Jenny Jung

Second place = How to Be Holy by Allison Light

Third place = Camp by Tyler Randazzo

 

Death of a Dogfish = Local’s Prize Eloise Perrochet (Northridge, CA)

 

 

What to Do When You’re a Genre Writer, cont…

Highlight: Tracking and Etiquette

by Crystal Miller

Staying on Track

Once you have discovered the right places to submit, you must focus some energy on organizing all of that information. Keeping track of when, where, and what you have submitted can quickly get out of hand if you do not have a system in place. If you are computer savvy, (good for you!) an Excel spreadsheet can be your best friend. Excel does, however, require a certain amount of knowhow when setting up a new spreadsheet. For example, you can calculate an expected response date for your submissions by creating a formula that gives you the date that falls six months following your submission (or however long the expected response time may be for that journal). If you know how to create a spreadsheet, insert formulas and successfully format a customized template, that is great – but unfortunately not everyone is so technically inclined. If you fall toward the less inclined end of the spectrum (like I did), do not fret. You can take a class to learn Excel, ask a friend or check out the links posted below. In fact, if you open Excel on your computer, in the upper right hand corner of your screen there is a blue circle with a white question mark in it – clicking on it will take you to Microsoft’s help site where you can watch a number of tutorials. When I started using Excel, my spreadsheets were pretty primitive with Magazine titles, story titles and dates submitted. Over time, I became a little more comfortable with the program and added fees, re-submission schedules and rejections/acceptances. You may also utilize the icons that ascend, descend and/or alphabetize the columns. You’ll get the hang of it if you are willing to stick with it and have the desire to dedicate the time, and on the upside – once your formatting is finished you will have a customized tracking form that you can easily duplicate and/or expand to fit your growing needs.

 

However if, despite the customization and ease of access on your computer, you find all of that entirely too daunting there are other avenues to explore. Many sites have been established to help writers track submissions and stay organized.

Submission Managers:

 

Free

Luminary Writer’s Database – www.writersdb.com – you can track submissions, find markets and chart your writing. Each aforementioned feature is thoroughly explained and optional so you can pick-and-choose features.

Excel – http://spreadsheets.about.com/od/excel101/a/Excel_beg_guide.htm (you can learn, I promise) – This article on About.com, titled “How to Use Excel – Excel Tutorials for Beginners,” is a straight forward, no frills approach to learning Excel.

–          http://www.youtube.com/watch?v=IBT_sBzFcOA – “Computer Help: How to Use Excel” is an easy visual tool for learning Excel basics.

 

Fee-based

Duotrope – $5/month https://duotrope.com/index.aspx – Duotrope exists to help writers help themselves. This site offers a submissions tracker, data reports, a literary search engine and best of all they offer a “calendar of upcoming themes” to get you on an inspirational cycle.

Writer’s Market – $5.99/month http://www.writersmarket.com/ – Writer’s Market offers subscribers extensive listings that include publishers, agents, magazines and contests along with organizational tools like personalized folders, electronic records and reference articles. One other thing that Writer’s Market does is show you a side-by-side comparison of how their listings differ from their competitors’.

 

Other Things to Consider

While staying on top of things and being organized is crucial to your personal success and sanity, there are a few other things that should be taken into consideration – like etiquette.

  • Do not submit more than once during a writing period unless the guidelines clearly state that that sort of thing is acceptable. (If nothing is said, it is not acceptable)
  • Wait at least six months between accepted submissions. It is important to stay on everyone’s good side and to show courtesy and consideration. Do not be an eager beaver and flood their inbox.
  • Address cover letters accordingly – it only takes a couple of minutes to look up who will be reading your piece. A little personalization can go a long way. Think of it as a résumé cover letter – it is very similar.

 

The writing world can be a fickle mistress. Always do your homework, proceed with caution and cling to your optimism. You will get rejection letters. They are part of the process. Keep them. File them away (or jam them onto a large nail above your desk for motivation like a very young Stephen King) and press on. Every successful writer has been rejected more times than they would like to think about. You will be rejected, too. Hang in there and above all, write on!

Journal Review: Area Sneaks

by Laurie Macfee

Area Sneaks
Published by Poetic Research Bureau
$15.00 per issue
Los Angeles, CA
www.areasneaks.com
ISBN 1939-4152

I just finished writing about The Georgia Review, one of the US’s “finer literary journals.” It is elegant and timeless. I wanted to take time to look at another part of the spectrum with a journal published in Los Angeles called Area Sneaks.  Two issues fell into my hands earlier this month, one from 2008 and the other from 2009. If The Georgia Review is a Merchant Ivory film, then Area Sneaks is an early David Lynch spectacular.

But perhaps that is not a fair comparison. The two journals have different reasons for being: one has published the best of literary tradition for almost 70 years, and was 5th in Pushcart Prize ratings for poetry last year, 6th in fiction.  The other is a cutting edge, pop-up, art-lit mag with completely different aims, as outlined on their website:

AREASNEAKS, a new print and online journal, seeks to touch the live wire where language and visual art meet…. Gertrude Stein’s Paris artist salon, Velemir Khlebnikov and Vladimir Tatlin’s constructive collaboration, Bernadette Mayer and Vito Acconci’s editorial partnership, Augusto de Campos’s concrete engagement with Brazilian modernism and Mike Kelley’s interest in systems of literary knowledge have each provided potential models of positive exchange between artists and writers. AREA SNEAKS hopes to maintain this dialogue by creating a fellowship of discourse within an open community of contemporary artists and writers.

Belatedly, I found out these are the only two issues produced. Which is entirely too bad, as it seems the editors Joseph Mosconi and Rita Gonzalez were stirring up a wicked and fearless brew.

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Issue 1: 2008/187 pps.

In the first issue alone there is a 22 pg interview between visual artist Stephanie Taylor with Kathryn Andrews and Michael Ned Holt, which features her sound/photo/sculptural installations in Berlin, creating a narrative over time. There is a new, “Improvisational Score,” by Sawako Nakayasu, a stunning performance poetry piece. You will find the 16 pg “Tearoom Texts: Project,” by William E. Jones, that presents research and clandestine documentary footage shot by police, leading to a crack down on public homosexual sex in the 1960s. There is a 24 pg translated and layered poem, “The Cape of Good Hope,” by French poet Emmanuel Hocquard, written in 18 parts, as well as a prose poem in segments by experimental writer/artist K. Lorraine Graham, which stretches to 7 pages.

Area Sneaks isn’t afraid of length, or depth.  It is not afraid of grainy photographs of men having sex in a public bathroom in Mansfield, Ohio. It unabashedly embraces the concept of hybrid. It lives in a world where there aren’t as many rules, or perhaps the rules are made to be broken. The second issue includes visual poetry experiments, a visual poetry forum, news drawings, and an essay entitled, “From Man’s Wars and Wickedness: A Book of Proposed Remedies and Extreme Formulations for Curing Hostility, Rivalry, and Ill Will”.  Artists interview writers, writers talk with artists; writers use images, artists use words in their compositions, or they work together in collaboration and present image and text side by side. It is part art journal, part lit mag, and part wonderful.

This may be a “temporary” magazine project that may pop back up at another time, but it looks and feels weighty, and substantial. The matte text paper is of beautiful quality, the reproductions are clean, the covers have full-bleed artwork with no title, except on the spine.  The back covers feature a list of artists and authors, the title, and the issue number.

Speaking of lists, another thing Area Sneaks is not afraid of: women. In the first issue, seven women were represented out of 18 contributors, or 38%. But in the second issue, out of 29 contributors, 14 were women, or an increase to 48%. Contrast that to The Georgia Review’s paltry 25% representation of female writers in the pages of last summer’s issue.

Interestingly, Area Sneaks is also a participating partner of the Poetic Research Bureau (http://www.poeticresearch.com), or perhaps it is better to say that the PRB is a literary umbrella for projects such as Area Sneaks.  About the Bureau (from their website):

As a research bloc, the PRB attempts to cultivate composition, publication and distribution strategies that enlarge the public domain. It favors appropriations, impersonations, ‘compost’ poetries, belated conversations, unprintable jokes and doodles, ‘unoriginal’ literature, historical thefts and pastiche. The publication emphasis is on ephemeral works, short-run magazines and folios, short-lived reprints and excerpts in print-on-demand formats, and the occasional literary fetish objects of stupidly incomparable price and value.

Hidden in the center is the phrase “short-run magazines.” I hope they mean the print run of Area Sneaks is short, that each of these issues is a treasure to be hoarded, and not that that the magazine itself is short-run, or on the way out. Since the last issue was four years ago, that may be the case. [see postscript]

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Issue 2: 2009/174 pps.

Creating these epic intersections of people and their passions – a community of discourse – must have been a herculean labor of love. It provides a model of what is possible between visual/written/spoken languages. Like all real relationships, or conversations, it is messy and occasionally unsuccessful. But it is in the reaching out, in the making of the bridge, that this journal succeeds wildly. Each of these two issues of Area Sneaks is itself a collaborative art piece. I hope Mosconi and Rodriguez have had a nice hiatus and can get back to it soon, with renewed vigor.

Area Sneaks makes more things possible. Area Sneaks is dead. Long live Area Sneaks.

[postscript: Area Sneaks lives! I wrote to the editor, Joseph Mosconi, to check on what short-run might mean. He got back to me to say they are working on new issues:

“we’re going to focus on less expensive zine-like editions, each with an artist and writer collaboration, interview or pairing, that we can publish on an ad-hoc basis as we receive the submissions. They can then be collected in a box set once the number of editions (10 or so) are complete, and that will complete the third issue. They will be printed and for sale but also appear as free downloadable PDFs. Look for the first ones in January.”

So after the New Year’s bubbly has worn off, check in with www.areasneaks.com! Or better yet, find an artist to collaborate with and send in a submission…]